Each of these styles contributed towards a specific characteristic of ragtime for example, cakewalk, a march-like syncopated style with African American slaves satirizing the behavior of their white owners, influenced the syncopated nature of ragtime (University of California, Santa Barbara 2005, par. A combination of numerous sources influenced ragtime, including but not limited to: march style, minstrel show songs, banjo music, cakewalk, and European music (Encyclopaedia Britannica 2016, par. Louis allowed ragtime to successfully spread, it also opened a route for other styles to find their way to this hub and have an impact on the style of ragtime. While ragtime dispersed throughout various cities across America, Missouri is credited as the origin point of ragtime due to its location in the middle of the country, which allowed it to act as a hub for visitors and an effective point for the style to spread. Flourishing in the 1890s, ragtime was a popular dance music in these black communities. Louis, Missouri, and New Orleans, Louisiana. The environment that cultivated ragtime can be rooted back to black communities in St. The unique nature of ragtime was also accompanied by a unique environment in which it thrived. Ragtime was likely shortened from "ragged time," which describes how the rhythm of the music was broken up and experienced constant syncopations. As a predominant feature of ragtime, syncopation influenced why the particular music style was named "ragtime." The name "ragtime" originated from a common naming scheme of the late 1800s, where the suffix "-time" would be attached to a descriptor of the rhythm being played. 3) states that ragtime purists generally agree on the concise definition of ragtime being, "a genre of musical composition for the piano, generally in duple meter and containing a highly syncopated treble lead over a rhythmically steady bass….usually composed three or four contrasting sections or strains, each one being 16 or 32 measures in length." While all the various characteristics stated contribute to ragtime, the most crucial of them all is syncopation, which is simply an interruption or disturbance of the regular flow of rhythm. An exact definition of ragtime is difficult to create due to its variable nature, however, the Library of Congress (par. While ragtime was almost always played on piano, brass bands or banjo were sometimes incorporated. To numerous significant figures involved in the development of ragtime, it was thought of as a musical art form with no specific definition but rather piano music with diverse defining characteristics such as constant syncopation, melodic accent between beats, and sectional with 16 measure strains. Real Ragtime (booklet 4), a collection of ragtime recordings with booklets containing descriptions and notes stated, ".ragtime created an attitude and defined an era that reached beyond the music." Although, before exploring the comprehensive history surrounding ragtime, it is critical to understand what ragtime itself is.
A unique musical phenomenon, ragtime is generally known to composers and musicians as being more than simply a genre of music.
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